Last October and November I spent a lot of time working on new brooches, which could also convert to pendants.
The first two shown below began with skinner blends. Then I had a great time going through scraps and canes I had, using them to create little collages on the center strip. Using gold and silver leaf scraps added great accents. Some have said they look like shimmering silk! These pendants were inspired by the work of Lindly Haunani.
Continuing on brooch/pendants influenced by textile traditions, I got into weaving polymer with variegated, extruded strips!
In late February I returned from an inspiring week of polymer clay workshops on the East Coast. I was chomping at the bit to get to work in my newly remodeled, enlarged studio at Art Works Downtown, where I had been in a smaller studio for seventeen years.
As I began my this new phase of my polymer adventure, my greatest surprise was the direction my work took as it didn’t seem to have any direct connection to my week studying with some outstanding polymer artists. It turns out that what the week had given me was the confidence to take risks and be open to new ideas my muse might bring. I suddenly found my self using gold and silver leaf with my polymer. Glitz and glitter! That is something I hadn’t been into before. It almost seemed to be a new reality, a new way to look at the world!
Ideas for new bracelet/cuffs began emerging. I started with a Skinner blend and then ran it through my pasta machine with gold leaf a few times. The final touch was the royal purple extruder-produced edges. This was the first time I had found a use for extruded clay. And it turned out to be only the beginning!